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Legal Encounter 2 New Corp Essay Outline

Law school admissions officers read hundreds of personal statements every year; one of the most important things you can do to improve your chances of getting into your dream school is to make sure that your essay makes a great first impression.

Most law schools will provide you with a general question and a page or word limit; exact requirements will vary from one school to the next, so it’s important that you take the time to confirm exactly what your limits are for the essay. The application itself or the program’s website should tell you what to do, but it’s never a bad idea to confirm with the admissions office via phone or email.

There are four steps to the process of creating a great personal statement.

 

Take some time to think about what makes you special. Law schools look for diversity, and that doesn’t just mean ethnic or gender diversity; they want to find an interesting blend of people with unique backgrounds and experiences. If you’re diverse in one of the traditional ways—usually, this means that you’re from a race or ethnicity that is underrepresented in the student body—then you can absolutely discuss that in your application. But you can look for other ways that you would increase the diversity of the student body as well. Are you an athlete, a musician, or an entrepreneur? Have you participated in meaningful volunteer work, overcome a significant challenge like a serious chronic illness, climbed a mountain, or written a novel? None of these things are necessary to the law school admissions process, but they definitely help make an application essay more interesting.

There are many things that you can and should use in your personal statement to present yourself as an interesting, well-rounded person who will not only benefit from a legal education but who will also make the law school a better place in some way. This is your chance to think about what those things might be, and jot them down. Don’t be afraid to think outside the box here, and don’t dismiss any ideas at this stage; just get them down on paper, and deal with them in more detail in Step 2.

Look at the ideas you’ve brainstormed, and pick a few to feature in your essay. You ideally want to create a “brand” that can be summarized in a few words and will be memorable to the admissions committee.  Don’t make the mistake of devoting most of your essay to explaining what kind of law you want to practice; frankly, so many people end up practicing in an entirely different area than the one that originally draws them to law school that admissions officers don’t take this too seriously unless it’s backed up by some kind of supporting evidence. Writing about how you want to be a prosecutor because you love Law & Order won’t win you any points; writing about how you want to be a prosecutor because of your experiences interning at a rape crisis hotline and a battered women’s shelter probably will, because that reveals something interesting about you as an individual.

You want to introduce the admissions committee to what makes you unique, then weave your “brand” throughout the rest of the essay as you explain what has drawn you to law school and how you imagine using your law degree someday. At this stage, you should pick a few of your key attributes and experiences, and try to relate them to the legal education you’re seeking. If there’s something specific about the law school that directly relates to your background, that’s even better; for example, if you want to be a legal advocate for children and the school has a great family law clinical program, talk about why that interests you, backing it up with specific details about yourself. Remember that legal professionals place a high value on organization—a good brief is one that is clearly organized and easy to follow—and since at least some of the people reading and evaluating your essay are legally trained, creating a good outline is crucial; you’ll rely on it in Step 3.

Even though organization is key to the final product, it can be stifling when you first start to write. So if there’s one idea that seems less daunting to write about than another, start there. The trick to writing is getting that first word, sentence, or paragraph on the page; after that, everything seems to follow more easily. The beauty of the digital age is that computers allow us to rearrange and edit as much as we want, so take advantage of that; starting with the body of your essay, for example, and then creating the introduction and conclusion later, is much easier for some people.

Remember how you spent time thinking about your “brand”? Now is when you need to make that work for you. In each section of your essay, bring in references to who you are and how you will enhance the law school’s student body. Instead of just saying that you are diligent and compassionate, say that your experience training to run a marathon taught you the value of consistent hard work, and the time you spent volunteering with Habitat for Humanity showed you how important it is to empathize and help the less fortunate members of society. Find ways to make the things that you’ve done support your contention that you’ll bring something great to the law school. And remember, it doesn’t have to be perfect yet; you’ll probably be coming back to Step 3 at least once after you’ve worked through Step 4.

Do NOT underestimate how crucial this step is; editing is about far more than correcting your spelling and punctuation. The first issue here is making sure that your writing is well organized. Return to the outline that you wrote in Step 2, and shift things around if necessary. Make sure that each paragraph begins with a strong topic sentence that adequately introduces the ideas that you explore in the following sentences. Check to see if your “brand” is touched on throughout the essay. Only then should you be concerned with copyediting.

Run the spell-check, of course, but also read through on your own, VERY carefully. If your typo is a correctly-spelled but inappropriately used word, it won’t set off the spell-check. For example, if you say “statue” instead of “statute,” your computer isn’t going to tell you that you made a mistake. Look for correctly used commas, semi-colons, and other punctuation marks; consult a resource on English language mechanics if you have any doubts about usage.

And for heaven’s sake, make sure that you mention the correct law school in the essay. Countless applicants have torpedoed their own chances by sending the essay for School A to School B, and vice-versa. An admissions committee will probably assume that if you didn’t take the time to look for errors in your copy, you won’t be a very conscientious law student; since law school admissions can be incredibly competitive, a sloppily-edited personal statement could very well be the thing that makes the difference between “Congratulations!” and “We regret to inform you…”.

Once you’ve fully completed editing, ask several people whose writing skills you trust to look over your essay and offer suggestions. Ask them how they perceive your “brand,” and whether they came away with a clear and cohesive sense of you as an individual. Of course, have them keep an eye out for errors as well. When you’ve gotten their feedback, return to Step 3 and incorporate the suggestions that you find valuable into your re-writes. Repeat this as necessary until you get an essay that you’ve proud of… or until your application is due, whichever comes first.

Just remember, even though the personal statement can be tough, it’s a great chance for you to show the law school that you have something of value to add to their community. Seize that opportunity and build an essay that maximizes your chances for law school admissions success!

 

Previous: Choosing a Law School

Next: Law School Admissions: Disclosure

Again, the revision is shorter (189 vs. 160 words), and better.

3.      Read the cases.Read more of them, and read the ones you have read over again.

Only occasionally do students do anywhere close to the amount of research in the case law that is required for a good paper, however, where the law is – not in the law review articles, not in the treatises, not in the trade publication, not in the ALR annotations, but in the cases and other primary material (statutes, treaties, constitutions).Secondary sources can be helpful – they can point you to the cases that you need to read, or, on rare occasions, they can help you to understand the cases you have read.They should never be used as substitutes for the primary material on which they’re based.

And if that’s not enough of a reason to spend the bulk of your time reading judicial opinions, here’s another:They are, by far, the best models for the kind of writing that you are learning how to do.You read opinions so that you can start to soak up a way of talking about legal questions – a jargon, customary phrasings, ways of using and talking about precedent, and the like.If you read lots of opinions you are much less likely to write things like the sentence I’m looking at right now, from another student paper:

“Personal jurisdiction can no longer be missing ‘because the defendant did not physically enter the forum state’.Burger-King Corp. v. Rudzewicz.”

No court opinion that I have ever read has used the word “missing” in reference to personal jurisdiction.I have, therefore, no clear idea what this sentence means.But worse, it signals to me that the author of this sentence has either (a) not read very many opinions dealing with the question of personal jurisdiction, or (b) has not been paying much attention to those s/he has read.Neither is a good thing to communicate to your readers.

Third, you need to read lots of opinions because to be a good writer you must learn to be a good reader.It’s quite obvious, if you think about it for a minute.Writing involves reading what you have written, identifying its weaknesses, and revising to eliminate those weaknesses.Over and over and over again.(See Principle #9)It’s not easy.You’ll get better at it if you start reading the cases critically, identifying their weaknesses; as you read, always ask yourself:What question(s) are the court answering?How persuasive is their reasoning?

And finally, you need to read lots of opinions to find models for the kind of writing you want to learn how to do.Imitation is the sincerest form of flattery.When you read an opinion (or any piece of persuasive writing, for that matter – anything that works through an argument and reaches some conclusion) that you think is well-written, well-organized, and effective, ask yourself: what makes it work well?How is it organized?Is there an introduction, and what functions does it serve? How does the author manage the transitions between sections?How does the author let the reader know the overall plan of the work?When does the author summarize what has come before?

Writing is a craft; find others who perform it well, observe their methods, and try to emulate them.

4.      Legal documents are persuasive documents; they answer some question, and they persuade the reader that the answer is the correct one.They are not “book reports.”

The goal, ultimately, is to state a specific question (or set of questions), to provide the reader with an answer to that question(s), accompanied by a logical argument designed to persuade the reader that the answer you have come up with is the correct one.You will not write a paper “about copyright law”;you will pose, and then you will answer, a specific question about copyright law.

All legal writing, I believe, is like this: briefs, judicial opinions, memoranda of law, etc.All are designed to persuade the reader of something by the force of argument(s).

I cannot stress this strongly enough; far and away, the most common reason that student papers are unsatisfactory is the absence of any sense that they are designed to marshal arguments in support of the author’s answer to a particular question.

Much legal writing is straightforward, in the sense that you know precisely where you are going when you start.When writing a brief, for example, you know where your argument has to lead:You are trying to persuade the reader that “the defendant [i.e., your client] is not liable for doing X,” or “The defendant [the opposing party] is liable for doing Y,” or “Defendant’s motion for summary judgment should be granted/denied,” or “The court cannot constitutionally exercise jurisdiction over the claim in this case,” or . . . .Knowing exactly where you want to go, you can then work backwards from there to put together your argument.

With a research paper, on the other hand, you don’t really know where you are going when you begin.You don’t know when you begin, in other words, the answer to the question you’re posing – that’s why you have to do research.You don’t really know (when you start) “whether section 512(c) of the Copyright Act covers the dissemination of decryption software”; you don’t know (when you start) “whether the purposes underlying the Patent Act are furthered by Internet business method patents”; you don’t know (when you start) “whether courts can assert personal jurisdiction over foreign website operators”; you don’t know (when you start) “whether clickwrap licenses are or are not enforceable under the Uniform Electronic Transactions Act,” . . .

This makes research papers more difficult to write than briefs; it is hard to construct an argument when you don’t know where the argument is going to go.

On the other hand, this uncertainty about where you’re headed can be turned to your advantage.You can change your answer – indeed, you can even modify the question you’re asking – as you go along.This is a luxury you don’t have with briefs; you can’t say to your client:“Well, I’ve finished my research and, lo and behold, I have discovered that you are, after all, liable under section so-and-so of the Securities Act”!

But with a research paper, you may start out with some thesis – e.g., that section 512(c) of the Copyright Act covers the dissemination of decryption software – but then conclude, after doing research on the question, that much stronger arguments exist for the opposite proposition (i.e., that section 512(c) of the Copyright Act does not cover the dissemination of decryption software).

5.The purpose of writing.You have to do two things when you are undertaking a legal writing project.First, you have to figure out the answer to whatever question you trying to answer:Does section 512(c) of the Copyright Act cover dissemination of decryption software?Are the purposes underlying the Patent Act furthered by Internet business method patents?Are clickwrap licenses enforceable under the Uniform Electronic Transactions Act?Etc.

The second job, which you can only accomplish after you have accomplished the first, is to write your paper in such a way that you persuade the reader that the your answer is the correct one.

In the best of all possible worlds, you would write two papers:The first would be the one you need to write in order to figure out the answer to your question. The second paper is the one that communicates what you have to say to your readers.

Most of you will not, actually, write two separate papers; but you need to think about your project as if you were going to do so.The first paper is the one that people often lose sight of – the one that helps you figure out what it is you’re trying to say.The only way for most of us mortals to construct a complicated, many-layered argument is to write it down to see whether it makes sense.Unless the question you’ve posed is a very simple one, you are not going to be able to figure out the answer without putting your argument down on paper and reading it through to see if it holds water; it’s going to be far too complicated for you to keep the whole thing in your head.Figuring out whether section 512(c) of the Copyright Act covers dissemination of decryption software is probably going to require you to figure out (a) what do you mean by “decryption software?,” and (b) “what does 512(c) actually say?,” and (c) “what did Congress mean by using the word “service provider” in Section 512?,” and (d) “is decryption software considered ‘speech’ so that First Amendment applies to our interpretation of section 512(c)?,” and perhaps many other questions like that.You can’t possibly keep all of that in your head and figure out where your argument is headed without writing it down and reading it through.

Use your drafts, in other words, to help make your argument better; if your argument doesn’t “work” when it is written down, it doesn’t work at all; if you can’t write it down, you don’t have an argument (yet).

The “second paper” – or your other task – is quite different.Once you have figured out where you are going – once you have written something that enables you to see the answer to the question that you have posed for yourself – you need to walk the reader through your argument as effortlessly and painlessly as possible.The reader does not necessarily need to see every step that you took to reach your conclusion; you may have taken some wrong turns, and gone down some dead ends, in trying to figure out how to answer the question, and the reader does not need to see all of those (and will be very confused if you show them to him/her).

Another way to say this:When you begin, you are writing for you, to help you understand what is going on.As you near the end, you write for your reader.

6.You will not learn to write well by talking – to me, or to anyone else – about writing; you will learn to write well by writing.

I’m always happy to talk to you about your project.But the bottom line is that talking to me is much less valuable than most students think it is.Talking about writing is like talking about carpentry, or about playing the piano, or about riding a bicycle – interesting, but rarely of much help if you are trying to learn how to do those things.You have to do them, over and over and over.Writing – actually practicing the skill you are trying to master – is almost always more useful to you than talking about writing.I’m not suggesting you should not talk to me if you have questions; but if you would like to talk to me about something, write down what you want to talk about.A sentence, or a paragraph, or an outline, describing your thoughts, or the question(s) you have, will do.That will not only give you valuable practice in the art of writing, but I guarantee you that it will make our subsequent conversation much more productive.

7.      Give yourself time.

Writing well is often painful; it is always difficult and unbelievably time-consuming.It will always take longer — usually a lot longer — than you think (or than you’d like) to get an outline or a decent draft together, let alone your final product. You must commit to spend however much time it takes to produce a quality product.

8.There is, unfortunately, no such thing as an “A for Effort” when it comes to written work.

The reader doesn’t know, and the reader doesn’t care, how much time you spent producing whatever it is you have produced, how much sweat poured off your brow during long nights in the library, etc.All he or she has, and all he or she cares about, is what you put in his or her hands; that is all that matters to the reader because that is all that the reader can see.Your argument must stand on its own two feet.You must always read your own work from the reader’s perspective.Sounds easy enough; it is not.Learning how to do this is critically important.Before you submit anything to me – an outline, a draft, whatever – you must read it over, from start to finish, in one sitting, as if you were the person to whom it is addressed -- the ‘average reader’ (if you are writing a law journal article), the partner in a law firm (if you are writing a memorandum to a partner), the judge (if you are writing a brief or legal memo).

One of the hardest things about writing well is remembering that your reader does not have in his/her head everything about the subject matter that you have in your head; indeed, the reader may have no information at all about the subject matter other than what is in your paper.Your reader will start at the beginning of your paper and read through to the end, picking up whatever information you are giving him or her and only that information, and only in the order in which you present it.You must do the same if you want to have any chance of getting the reader to understand what you are saying. Developing the ability to edit your own work in this way is far more important than whatever you may come up with as far as substance is concerned in this project.

9.      Revise, revise, revise.

You need to revise your work as necessary so that it makes sense to that reader.You don’t stop because you have completed one, or two, or four revisions of your paper; you stop when it is clear to the reader.If that takes five, or fifteen, revisions, that’s what it takes.See Rule #8; you don’t get any prizes for the number of revisions you’ve done, you get prizes for expressing yourself clearly.Please:If you are handing something in on Thursday afternoon, do not print it out and read it over on Thursday morning; leave yourself time for a final round of revisions before you hand it in.

10.Everything you put on the page matters.

Everything – every word, every bit of punctuation, every decision to begin a paragraph in one place instead of another.That’s probably not true in every field; it’s true, though, in the law.

Take the lowly comma.When Robert Frost’s Collected Poems was originally published, it contained these lines (in “Stopping by the Woods on a Snowy Evening”):

“The woods are lovely, dark, and deep

But I have promises to keep

And miles to go before I sleep

And miles to go before I sleep.”

In fact, what Frost had written was:

“The woods are lovely, dark and deep

But I have promises to keep

And miles to go before I sleep

And miles to go before I sleep.”

Insertion of the extra comma in the first version makes a big difference, does it not?

We are not poets, and the texts we read and write as lawyers are, heaven knows, not poetry.But consider the following.The Copyright Act of 1874 granted copyright protection to “any engraving, cut, print, or . . . chromo[lithograph].”It also provided that “in the construction of the act the words ‘engraving,’ ‘cut,’ and ‘print’ shall be applied only to pictorial illustrations or works connected to the fine arts.”

Question:if something is a “pictorial illustration” that is not “connected to the fine arts,” is it protected by copyright?That is, does “connected to the fine arts” modify both “pictorial illustrations” and “works,” or just “works”?See Bleistein v. Donaldson Lithographic , 188 239 (1903) (Holmes, J.).Note how the meaning of this phrase would change if (a) there were a comma after “pictorial illustrations” (so that it read:“the words ‘engraving,’ ‘cut,’ and ‘print’ shall be applied only to pictorial illustrations, or works connected to the fine arts”) or (b) there were commas after both the words “pictorial illustrations” and “works” (the words ‘engraving,’ ‘cut,’ and ‘print’ shall be applied only to pictorial illustrations, or works, connected to the fine arts”).

Here’s another, more complicated, illustration.Section 512(e) of the Copyright Act provides:

“(e)When a public or other nonprofit institution of higher education is a service provider, and when a faculty member or graduate student who is an employee of such institution is performing a teaching or research function, for the purposes of subsections (a) and (b) of this section such faculty member or graduate student shall be considered to be a person other than the institution, and for the purposes of subsections (c) and (d) such faculty member's or graduate student's knowledge or awareness of his or her infringing activities shall not be attributed to the institution, if‑‑

(A) such faculty member's or graduate student's infringing activities do not involve the provision of online access to instructional materials that are or were required or recommended, within the preceding 3‑year period, for a course taught at the institution by such faculty member or graduate student;

(B) the institution has not, within the preceding 3‑year period, received more than two notifications described in subsection (c)(3) of claimed infringement by such faculty member or graduate student, and such notifications of claimed infringement were not actionable under subsection (f); and

(C) the institution provides to all users of its system or network informational materials that accurately describe, and promote compliance with, the laws of the relating to copyright.”

Read it again, carefully.Here’s a little problem of statutory interpretation.Assume that:

(a)     is a “nonprofit institution of higher education” that is a “service provider” within the meaning of subsection (e);

(b)    A faculty member – call him “Professor Post”– is employed by , and he is performing a “teaching or research function” within the meaning of subsection (e);

(c)     does not provide “informational materials that accurately describe, and promote compliance with, the laws of the relating to copyright” to all users of its system, i.e., it does not meet the condition laid down in subparagraph (C) of the above provision.

The question: Is Professor Post “a person other than the institution” for “the purposes of subsections (a) and (b) of this section” (whatever subsections (a) and (b) might be)?

The answer is “No.”Why?Because “for the purposes of subsections (a) and (b) of this section” Prof. Post “shall be considered to be a person other than the institution” only if the conditions in sub-paragraphs (A), (B), and (C) are satisfied.Because the condition in sub-paragraph (C) is not satisfied, Prof. Post shall not be considered to be a person other than the institution.[If you don’t see that, re-read the section over until you do].

Now note what happens if we omit the comma before the word “if” at the end of the first paragraph.The section now reads as follows:

“(e)When a public or other nonprofit institution of higher education is a service provider, and when a faculty member or graduate student who is an employee of such institution is performing a teaching or research function, for the purposes of subsections (a) and (b) of this section such faculty member or graduate student shall be considered to be a person other than the institution, and for the purposes of subsections (c) and (d) such faculty member's or graduate student's knowledge or awareness of his or her infringing activities shall not be attributed to the institution if ‑‑

(A) such faculty member's or graduate student's infringing activities do not involve the provision of online access to instructional materials that are or were required or recommended, within the preceding 3‑year period, for a course taught at the institution by such faculty member or graduate student;

(B) the institution has not, within the preceding 3‑year period, received more than two notifications described in subsection (c)(3) of claimed infringement by such faculty member or graduate student, and such notifications of claimed infringement were not actionable under subsection (f); and

(C) the institution provides to all users of its system or network informational materials that accurately describe, and promote compliance with, the laws of the relating to copyright.”

The answer to the question presented is now “Yes.”Removing the comma completely changes the meaning of the subsection.Without the comma, for “the purposes of subsections (a) and (b) of this section” Prof. Post “shall be considered a person other than the institution” – full stop.The conditions in sub-paragraphs (A), (B), and (C) apply only to determining whether the faculty member will be considered to be a person other than the institution for purposes of subparagraphs (c) and (d). (If you don’t see that, read the section over again – possibly aloud – until you do).

Section 512(e) is much less beautiful than “Stopping by the Woods on a Snowy Evening.”The moral of the story, however, is that in legal prose, as in poetry, everything you put down on the page matters – every word, every punctuation mark, everything.If you don’t start cultivating that attitude towards your own writing, you will never learn to write well.


PART TWO:critical rules of thumb – follow these or die!!

1.Write your Introduction LAST.Your paper will, basically, consist of three parts: an Introduction, an Argument, and a Conclusion – in that order.It would, obviously, be silly to begin writing your Conclusion first, before you know exactly what you are going to say.It is equally silly to write your Introduction first.You must know where your argument is going in order to write a decent Introduction, because the function of the Introduction is to tell the reader what’s coming.Once you know what your argument is going to be, it is very easy to write an Introduction; before you know what your argument is going to be, it is virtually impossible to do so.

2.Use topic sentences.Each paragraph in your paper should make one point, and each paragraph should begin with a declarative sentence stating that point.These “topic sentences” are enormously important.Read your paper over, frequently, as I am going to:reading only the first sentence in each paragraph. Ask yourself:If you knew nothing about this subject matter, would this reading of the paper, topic sentence by topic sentence with nothing else, have made sense to you?If the answer is “no,” you’re not finished revising.

3.      Eliminate the passive voice from your papers.

Do not say “As the Internet grew, new commercial uses were found,” say “As the Internet grew, users found new commercial uses.”

Do not say “The 5-step test for determining likelihood of confusion under the Lanham Act was crafted by the court”; tell the reader who crafted it (“The Eighth Circuit crafted the 5-step test for determining likelihood of confusion under the Lanham Act”).

Do not say “Where there is no general jurisdiction, the possibility of specific jurisdiction must be examined,” say “Where there is no general jurisdiction, the court must examine the possibility of specific jurisdiction.”

Do not say “The modern framework for analyzing a question of personal jurisdiction was developed in International Shoe Co. v. Washington, 326 U.S. 310 (1945), say “The Supreme Court developed the modern framework for analyzing questions of personal jurisdiction in International Shoe Co. v. Washington, 326 U.S. 310 (1945).”

Always write so that the reader can tell who the actor is who is performing the action described in your sentences.

You may, if you wish, treat this as just another arbitrary grammatical rule to be followed by rote – like “don’t end a sentence with a preposition,” or “don’t split infinitives.”In other words:Just do it.

It is, however, not an arbitrary rule at all; rewriting your sentences to eliminate uses of the passive voice will help you think.Here’s an example from a draft paper I received a while ago:

“Despite the radio broadcasters’ argument that they made little profit on broadcasts, ASCAP was authorized to demand payment for the broadcast of copyrighted works.”

Interesting – but who “authorized” ASCAP to do that?Congress?Where?In a statute?What statute?Or was it a court?Some administrative agency?The City Council?As it turns out, that’s a very difficult, and a very interesting and important, question.I would wager that the author of this sentence didn’t know the answer, and s/he was hiding behind the passive voice to obscure that lack of knowledge.

We all do this, all the time, and we shouldn’t; eliminating the passive voice from our writing will help us avoid it.

4.Quote first; explain later.The actual words used in the statutes or the opinions under discussion always matter.Do not tell me what you think a statutory section means until you have given me the actual language in the statute; do not tell me what you think a court meant until you first tell me what it said.If the statutory language (or court’s opinion) is clear, then it’s clear and nothing more need be said.If it needs explanation and interpretation (as it almost always does), explain and interpret – after you tell me what the words are that you are explaining and interpreting.I don’t want to know your opinion about the statute or the case – I want to know (a) what it says, and (b) what it means.

5.Do not thump on the table.Do not ever say “It is clear that . . . .,” or “it is obvious that.”Do not use the words “clearly,” or “obviously,” or “undoubtedly,” as in “the statute clearly authorizes . . . .,” or “the Feist opinion obviously changes copyright law in important ways.”If it is clear, or obvious, or free from doubt, then there if no need to say that – the reader will already see it because you have made it clear.Ninety-nine times out of 100, you use these words or phrases as crutches, to obscure the fact that you have not made something clear, or obvious, when you should have.

6.Use parallel structure. If you are talking about general and specific jurisdiction, and one paragraph begins, “In order for there to be general jurisdiction, the defendant must have . . . .,”then begin the next paragraph about the parallel topic (specific jurisdiction) the same way:“In order for there to be specific jurisdiction, the defendant must have . . .”Make it simple.

7.Avoid unnecessary introductory and transition words.Words or phrases like “Moreover,” “In addition,” “Furthermore,” “As such,” “Notwithstanding,” are sometimes useful, but rarely; most of the time they get people into trouble.They tend to be inserted when the logical transition between your sentences makes no sense; if you have two sentences that do not belong together, throwing in an “In addition” at the beginning of the second sentence will not help.Use these devices very sparingly.

8.Watch out for “as explained below” and “as explained above.”These are signals that your work is not yet properly organized.What is a reader supposed to do when he/she encounters “as explained below” in a paper?Stop reading and go “below” to wherever you explain what needs to be explained?If something needs to be explained now, explain it now.Always remember: readers read from left to right; do not make the reader’s understanding of something depend on something that you say later.

9.Read your work aloud.Writing, Lawrence Sterne wrote (in his novel Tristram Shandy), is conversation.He was correct.If your paper, or outline, or memo, or letter, or brief, or . . . does not make any sense to a listener, chances are very good that it won’t make any sense to a reader.At the very least, ask someone who knows nothing about your topic to read through what you have written; if your friend/spouse/partner/cousin can’t make heads or tails out of what you’ve written, chances are very good that I won’t be able to either.